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THE BEST OF - 60 and 70 - part 143
Kondycja:
Dodane: 04/05/2009
Rozmiar: 421.69 MB
Uploader: Anonimowy
seed(ów): 3
leecher(ów): 4
Pobrane: 17





Ocena: N/A

PART  143



    EDDIE JAMES SON HOUSE -  Levee Camp Blues  
    FRED McDOWELL - Shake 'em On Down
    BIG JOE WILLIAMS - Low Down Dirty Shame
    ERIC CLAPTON - Ramblin' On My Mind  (Robert Johnson)
    ERIC CLAPTON - Love in vain  (Robert Johnson)            
    EAGLE EYE CHERRY & JB ULMER  vs. JB LENOIR -  Down in Mississippi (2003)
    ERIC CLAPTON  - Milk cow's calf blues  (Robert Johnson) (2004)
    B.B. KING  – The Thrill is Gone



            Eddie James "Son" House, Jr. (1902–1988) was an American blues singer and guitarist. House pioneered an innovative style featuring strong, repetitive rhythms, often played with the aid of slide guitar, and his singing often incorporated elements of southern gospel and spiritual music. The young Son House was determined to become a Baptist preacher, and at age 15 began his preaching career.Despite the church's firm stand against blues music and the sinful world which revolved around it, House became attracted to it and taught himself guitar in his mid 20s, after moving back to the Clarksdale area, inspired by the work of Willie Wilson. He began playing alongside Charley Patton, Willie Brown, Robert Johnson and Fiddlin' Joe Martin around Robinsonville, Mississippi, and north to Memphis, Tennessee, until 1942.Son House recorded for Paramount Records in 1930 and for Alan Lomax in 1941 and 1942.  House was an important influence on Muddy Waters and also on Robert Johnson. A seminal Delta blues figure, he remains influential today, with his music being covered by blues-rock groups such as The White Stripes.
            Fred McDowell (1904 - 1972), often known as Mississippi Fred McDowell, was a blues singer and guitar player in the North Mississippi style.McDowell was born in Rossville, Tennessee.He started playing guitar at the age of 14 and played at dances around Rossville.Initially he played slide guitar using a pocket knife and then a slide made from a beef rib bone, later switching to a glass slide for its clearer sound. He played with the slide on his ring finger.While commonly lumped together with "Delta Blues singers," McDowell actually may be considered the first of the bluesmen from the North Mississippi region. The 1950s brought a rising interest in blues music and folk music in the United States.McDowell's recordings were popular, and he performed often at festivals and clubs. McDowell continued to perform blues in the North Mississippi blues style much as he had for decades, but he sometimes performed on electric guitar rather than acoustic.While he famously declared "I do not play no rock and roll," McDowell was not averse to associating with many younger rock musicians: He coached Bonnie Raitt on slide guitar technique, and was reportedly flattered by The Rolling Stones' rather straightforward, authentic version of his "You Gotta Move" on their 1971 "Sticky Fingers" album.                
          J.B. Lenoir was a gifted southern bluesman who made his career in Chicago and died tragically after a car wreck in 1967.  J.B. Lenoir's final two albums before his death may well have been his crowning achievements. Alabama Blues (1965) and Down in Mississippi (1966), both produced by Willie Dixon, were recorded for the German label L & R, and both featured stripped down acoustic arrangements that recast Lenoir as a Southern folk-blues troubadour.
          "Milk cow's calf blues" is a blues song written and recorded by Robert Johnson in 1937.  "Milk cow's calf blues" was also performed by Eric Clapton.  It is Track 8 from the album "Me and Mr. Johnson"  released on 23 March, 2004.The album is a tribute to legendary bluesman Robert Johnson. According to Clapton's autobiography, the album wasn't intended as a tribute. The band had rented the studio, but Clapton didn't have any songs written, so he suggested they should record Robert Johnson' songs to kill time. By the time they realised, they had recorded enough songs for an album.
          "The Thrill is Gone" is a blues song written by Rick Darnell and Roy Hawkins in 1951 and popularized by B. B. King in 1970. The song was first recorded by Hawkins and became a minor hit for the musician. King recorded his version of the song in June 1969 for his album Completely Well, released the same year.When released as a single in December of 1969, the song became the biggest hit of King's career (#3 R&B / #15 Pop) and his signature song. B. B. King's recording earned him a Grammy Award for Best Male R&B Vocal Performance and a Grammy Hall of Fame award in 1998. King's version of the song was also placed at number 183 on Rolling Stone magazine's list of the 500 greatest songs ever.The song has been covered by numerous artists since B. B. King's hit version, including Peggy Lee (1970), Luther Allison (1979), Dishwalla (1995), Aretha Franklin (1970), Little Milton (1973), Willie Nelson (2000), Stan Webb (1973), Jerry Garcia and David Grisman (1990s), Buckethead (2004), Steven Brown (Half Out, 1991), [The Marshall Tucker Band] (Stompin' Room Only 2003), the Eric Steckel Band (Havana, 2006), Diamanda Galas, Leslie West (Got Blooze, 2005), and Pappo (Buscando un amor, 2003).






                       TOTAL LIST  ( 24.01.2009 )


         
                     HISTORY OF POP AND ROCK MUSIC
                      The Roots of Rock 'n' Roll:  



        ***********************************************************************************                              
          01. AFRICAN TRADITIONAL MUSIC   ( deep roots )  

           African music has been a major factor in the shaping of what we know today as blues and jazz. These styles have all borrowed from African rhythms and sounds, brought over the Atlantic ocean by slaves.


       THE ABYSSINIANS   -  SATTA MASSA GANA  
       ANGELIQUE KIDJO - ZELIE (influenced by the trad. songs of Togo,W.Africa)



        ***********************************************************************************
          02.  BLUES  

           Important source of modern rock'n'roll, absolutely essential to the sound we think of as 60's rock, was, first, the Blues. Blues has evolved from an unaccompanied vocal music and oral traditions of African-American slaves (imported from West Africa; prin*censored*lly present day Mali, Senegal, the Gambia and Ghana)
          Blues began as the music of black sharecroppers in the poor cotton-farming region of the Mississippi Delta, and traveled north to Chicago with the sharecroppers as thousands of them moved north in search of a better life. It was in Chicago that the blues went from acoustic solo guitar music to electric guitar-electric bass-drums combos.


          02.01   Prewar blues :  
          The Delta blues is one of the earliest styles of blues music."Delta blues" is a style as much as a geographical appellation: Skip James and Elmore James, who were not born in the Delta, were considered Delta blues musicians. Performers traveled throughout the Mississippi Delta, Arkansas, Louisiana, Texas, and Tennessee. Eventually, Delta blues spread out across the country, giving rise to a host of regional variations, including "Chicago blues" and "Detroit blues". Muddy Waters, Little Milton, B.B. King, and Howlin' Wolf were just a few of these important Chicago blues artists.
         List of artists : Ishman Bracey ,Willie Brown, Robert Johnson, Tommy Johnson, Blind Willie Johnson ,Paul Jones, R.L. Burnside, Sam Chatmon ,Bob Cobb, James Cotton ,Mike Cross ,Arthur Crudup ,CeDell Davis, David Honeyboy Edwards ,Earl Hooker ,John Lee Hooker ,Son House , Mississippi John Hurt ,Skip James,Jimmie Rodgers , Mississippi Fred McDowell,Charley Patton,Pinetop Perkins,Snooky Pryor,Johnny Shines,Sunnyland Slim,Henry Sloan, Willie "Big Eyes" Smith, Howlin' Wolf ........

       
        BLIND WILLIE JOHNSON  -  TROUBLE WILL SOON BE OVER   (1927)
        JIMMIE RODGERS   -   BLUE YODEL No. 1 (T For Texas)  (1928)
        JIMMIE RODGERS   -   WAITING FOR A TRAIN   (1928)
        LEAD BELLY -  LORD LORD LORD   (1929)
        SKIP JAMES  -  HARD TIME KILLING FLOOR BLUES  (1931)
        ROBERT JOHNSON  -  SWEET HOME CHICAGO   (1936)
        ROBERT JOHNSON  -  LOVE IN VAIN    (1937)
        ROBERT JOHNSON  -  CROSSROAD BLUES   (1937)
        LEAD BELLY -  PICK A BALE OF COTTON  
        LEAD BELLY - TAKE THIS HAMMER
        EDDIE JAMES SON HOUSE -  LEVEE CAMP BLUES  
        FRED McDOWELL - SHAKE 'EM ON DOWN
        BIG JOE WILLIAMS - LOW DOWN DIRTY SHAME      
        JOHN LEE HOOKER  -  TUPELO, MISSISSIPPI
        JOHN LEE HOOKER -  I'LL NEVER GET OUT OF THESE BLUES ALIVE


          02.02   Early post-war blues :
         After World War II and in the 1950s, new styles of electric blues music became popular in cities such as Chicago, Detroit and St. Louis. Electric blues used amplified electric guitars, electric bass, drums, and harmonica played through a microphone. Chicago became a center for electric blues in the early 1950s. Chicago blues is influenced to a large extent by the Mississippi blues style, because many performers had migrated from the Mississippi region. Howlin' Wolf, Muddy Waters, Willie Dixon, and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration.


        BIG BILL BROONZY  -  HEY HEY  (1952)
        BIG BILL BROONZY  -  HOW YOU WANT IT DONE  (1952)
        BIG BILL BROONZY  -  WORRIED MAN BLUES   (1952)
        THE HOWLIN' WOLF  -   SMOKESTACK LIGHTNIN'  (1956)
        SKIP JAMES  -  ALL NIGHT LONG
        DR. ISAIAH ROSS  -  FEEL SO GOOD
        MUDDY WATERS -  YOU CAN'T LOSE WHAT YOU AIN'T NEVER HAD        
        BIG JOE WILLIAMS - BABY PLEASE DON'T GO  (1963)
        MUDDY WATERS - GOT MY MOJO WORKING (1963)
        MISSISSIPPI JOHN HURT -  CANDY MAN  (1964)
        WILLIE DIXON - WEAK BRAIN AND NARROW MIND (1964)
        THE HOWLIN' WOLF  -   SHAKE IT FOR ME  (1964)
        JOHN LEE HOOKER - I'M LEAVING  (1964)
        J.B.LENOIR -  I FEEL SO GOOD (1964)
        J.B.LENOIR - SLOW DOWN  (1964)
        MISSISSIPPI JOHN HURT -  LONESOME VALLEY  (1965)
        THE HOWLIN' WOLF  -   DUST MY BROOM  (1966)
        THE HOWLIN' WOLF  -   HOW MANY MORE YEARS   (1966)  


         02.03  The classic female blues
         The classic female blues spanned from 1920 to 1929 with its peak from 1923 to 1925 ; most popular of these singers were Ma Rainey, Bessie Smith, Mamie Smith, Ethel Waters, Ida Cox, Victoria Spivey, Sippie Wallace, Alberta Hunter, Clara Smith, Edith Wilson, Trixie Smith, Lucille Hegamin and Bertha “Chippie” Hill. Hundreds of others recorded including Lizzie Miles, Sara Martin, Rosa Henderson, Martha Copeland, Bessie Jackson (Lucille Bogan), Edith Johnson, Katherine Baker, Margaret Johnson, Hattie Burleson, Madlyn Davis, Ivy Smith, Alberta Brown, Gladys Bentley, Billie and Ida Goodson, Fannie May Goosby, Bernice Edwards and Florence Mills.


        NATALIE COLE- St.LOUIS BLUES - originally performed by W.C Handy (1914)
        MARION HARRIS  -  St.LOUIS BLUES  (1920)
        BESSIE SMITH  -  St. LOUIS BLUES  (1925)
        MAMIE SMITH  -  JAIL HOUSE BLUES  (1929)
        ETHEL WATERS - DARKIES NEVER DREAM  (1934)
        MAMIE SMITH  -  HARLEM BLUES  (1939)
        MAMIE SMITH  - LORD! LORD! LORD!  (1939)
        MAMIE SMITH  -  I'LL DO EVERYTHING FOR LOVE  (1940)
        ETHEL WATERS  - TAKING A CHANCE ON LOVE   (1942)
        ETHEL WATERS  -  A THING CALLED JOE  (1942)
        ETHEL WATERS &  COUNT BASIE   -  QUICKSAND  (1943)
        SISTER ROSETTA THARPE - UP ABOVE MY HEAD  
        BIG MAMA THORNTON  - HOUND DOG  (1952)  


         02.04  British blues
         The style of British blues developed in the UK, when bands such as Fleetwood Mac, John Mayall & the Bluesbreakers, The Rolling Stones, The Yardbirds, and Cream performed classic blues songs from the Delta or Chicago blues traditions.


        THE ROLLING STONES  -  LITTLE RED ROOSTER   (1964)
        THE YARDBIRDS  (with Eric Clapton)  -  I WISH YOU WOULD (1964)
        FLEETWOOD MAC  -  MY HEART BEAT LIKE A HAMMER  (1968)



        02.05   Blues 1980s to the present :

        ERIC CLAPTON  -  HEY HEY  (Big Bill Broonzy ) (1992)
        ERIC CLAPTON  -  MOTHERLESS CHILD  (1994)
        LUCINDA WILLIAMS - HARD TIME KILLING FLOOR BLUES (Skip James) (2003)
        BONNIE RAITT  -  DEVIL GOT MY WOMAN (Skip James) (2003)
        CASSANDRA WILSON  -  VIETNAM BLUES  (J.B.Lenoir)   (2003)
        ODETTA  -  JIM CROW BLUES  - (originally performed by Lead Belly)
        JAMES BLOOD ULMER & ALISON KRAUSS - SITTIN' ON TOP OF THE WORLD
        GARLAND JEFFREYS - WASHINGTON DC HOSPITAL CENTER BLUES (Skip James)(2003)
        ALVIN YOUNGBLOOD HART -  ILLINOIS BLUES  (Skip James )
        DAVID HONEYBOY EDWARDS - GAMBLIN' MAN
        EAGLE EYE CHERRY & JB ULMER vs. J.B. LENOIR -  DOWN IN MISSISSIPPI  (2003)
        ERIC CLAPTON - RAMBLIN' ON MY MIND   (Robert Johnson)
        ERIC CLAPTON - LOVE IN VAIN   (Robert Johnson)            
        ERIC CLAPTON  - MILK COW'S CALF BLUES  (2004)
        B.B. KING  – THE THRILL IS GONE
        ERIC CLAPTON - IF I HAD POSSESSION OVER JUDGEMENT DAY (R.Johnson)
        RUTHIE FOSTER -  UP ABOVE MY HEAD (Sister Rosetta Tharpe) (2007)
   
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Kategoria:Muzyka » Teledyski/Koncerty
Dodane04/05/2009 17:05:53
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